All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Tropical Delusion
Digital photography, 2018
Metallic paper photo print
160x120cm
(Exhibition view 2018-19)
Tropical Delusion, 2018
Tropical Delusion is a digital photography series made over the biggest environmental disaster ever registered in Brazilian history. In November 2015 an iron ore tailings dam suffered a catastrophic failure in a Brazilian countryside area, leaking 60 million cubic meters of iron waste mud into nature. The mudflows vanished Bento Rodrigues community leaving 600 people homeless and destroyed 700 Km of rivers compromising the water supplies of thirty larger cities, before reaching the Atlantic Ocean 17 days later.
The work consists of seven digitally processed images portraying the ruins of the houses left after the disaster. The images present an intriguing color palette which provokes perception by confronting the senses of real and fictional. The over aestheticization of the images refers to the mediatization that followed the tragedy performed by the mass-media, often trying to obscure the controversial causes of it.
The work grounds on the structure of the ruin to question the concept of 'nature as something separated and disconnected from human society'.
Support:
Tropical Delusion
Digital photography, 2018
Metallic paper photo print
100x70cm