All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Land, Lake and Landscape, 2017
The natural environment is in a perpetual state of oxidation. Everything undergoes erosion and corrosion under the influence of time—the same force that heals and renews—in a continuous dance of balance and improvement. This process is non-linear, delicate, time-consuming, and multifaceted, filled with complexities and conflicts that often seem chaotic. Yet, once the agents are identified, the process persists, steadfast and complete, inclining towards harmony. Many facets of the artistic process mirror these principles, with the artist acting as a conductor of various methods, techniques, and combinations through unique or erratic dynamics that ultimately find balance in the work.
Land, Lake and Landscape
Chemically aged metal plates
Diptych – 200x100cm
2017
Land, Lake and Landscape
Chemically aged metal plates
Diptych – 200x100cm
2017