All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:

Installation, 2010 Asphalt collected pieces Variable dimensions

Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm

Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm

Sculpture, 2010 Chemically aged steel sheet 65x80cm

Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm

Installation, 2010 Asphalt collected pieces Variable dimensions

Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm

Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm

Sculpture, 2010 Chemically aged steel sheet 65x80cm

Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm



Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures

Eclipse Sculpture, 2020 Wood, lamp globe, oil and electromechanics 100x100x40cm
Eclipse, 2017/2020
An eclipse marks a rare alignment—an interruption in the continuity of light. Throughout history, such events have stirred both awe and unease, interpreted by ancient cultures as signs, omens, or divine gestures. In its fleeting obscurity, the eclipse invites us to contemplate cycles of visibility and disappearance, of power concealed and revealed.
The work draws on that metaphor to reflect on our entanglement with energy. A suspended light— reminiscent of the sun—shines through layers of industrial residue: oil, the dark byproduct of ancient sunlight. Fossil fuels, foundational to the modern world, are themselves a form of buried time, organic matter transformed over millennia. Here, light and oil confront one another—once kin, now estranged—expressing a tension between origin and consequence. Through a quietly looping electromechanical system, the piece stages a choreography of illumination and eclipse, reminding us of the fragile balances that underlie both natural rhythms and human systems.
Eclipse
Sculpture, 2017/2020
Wood, light bulb, oil,
and electromechanics
63 x 22 x 63cm.
KIASMA collection

Eclipse
Sculpture, 2017/2020
Wood, light bulb, oil,
and electromechanics
63 x 22 x 63cm.
KIASMA collection

Eclipse Sculpture, 2017/2020 Wood, light bulb, oil, and electromechanics 63 x 22 x 63cm. Exhibition view at Point of No Return (NART, 2021)
Eclipse
Sculpture, 2020
Wood, light bulb, oil, and electromechanics
63 x 22 x 63cm.
Exhibition view at Point of No Return (NART, 2021)
