Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Contingent
Installation, 2010
Asphalt collected pieces
Variable dimensions
Continuous
Sculpture, 2010
Bricks, mirrors, iron tap,
water, and water pump
60x50x40cm
Tha last fall
Sculpture, 2010
Wood, aluminum, brass, galvanized and bricks
180x180x50cm
Surrender
Sculpture, 2010
Chemically aged steel sheet
65x80cm
Grinded homes
Installation, 2010
Bricks, crushed bricks, wood frame and glass
120x180cm
Versus: from Latin, versus (“against, turned”), past participle of vertere (“to turn, change, overthrow, destroy”).
Immersed in a sea of backward beliefs, we find modern man increasingly brutalized and enslaved by the intellectual and material consumption industry created by himself. Versus is the name of an exhibition that casts a critical social and political look at this scenario, deconstructing an updated version of the post-industrial world that continues to nourish the human perception with the idea that culture is more real than nature.