All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Inkjet on cotton paper 2016
Inkjet on cotton paper 2016
Inkjet on cotton paper 2016
Squints
Ink jet print over cotton paper
2016
[to squint]
1. of an eye: looking or tending to look obliquely or askance (as with envy or disdain)
2. of the eyes: not having the visual axes parallel
Look at someone or something with one or both eyes partly closed in an attempt to see more clearly or as a reaction to strong light; a quick or casual look.
Squints is a compilation of images digitally processed and resulting on a grid pattern that can only be ¨perceived¨ once the viewer squint the eyes. All the images are historic photographies that regardless of the date and general context, they are all connected to relevant events of South American economic and politic history.