All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
In-Tempo, 2009
The contemporary hyper-connected social structure isolates the individual in ideological domes, in parallel unilateral flows, at the same time giving the wrong impression of being truly connected and interacting. That keeps minds and thoughts apart from each other, barred from seeing the invisible barriers between the common ideals, taking us to some paradox that resembles a failed attempt of blowing a speck out of our own eye while drawing silent dialogues through invisible walls. The work was developed in Partnership with the Brazilian artist Rafael Perpétuo.
In-Tempo
Installation, 2009
Ventilator, glass cubes, and electric wiring
Variable dimensions
(Partnership with the Brazilian artist Rafael Perpétuo)
