All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Sculpture, 2008 Iron taps, water, and pomp 80x50x40cm
Installation, 2008 Wood boxes and window 180x180x60cm
Fine Fluids, 2008
This installation consists of two works produced through research grounded on the notions of abandonment and memory. The works question the relationship between people and objects, human and non-human entities, and how our perception of time affects individual notions of relating in the everyday reality that forms the collective unconscious.
The works consist of man-made debris and objects found in the urban landscape contrasted with substances of raw nature. The results are systems where "fluids flow throughout things", confronting the idea of substance, matter, element, and object, over re-created structures made from remains of the daily life of modern society.
The works operate over the notions of the apparent 'perpetual flow' and transition between physical states of materials which do not possess a defined form, acting over solid and defined shaped structures. The conceptual juxtaposition enables a discussion regarding how the comprehension of the concept of 'nature' can be fluid and constantly reshaped by how we perceive the relationships between the material and immaterial realms, questioning about the actual boundaries between energy and matter, both substances owning a never-ending amount of possibilities which awakes notions of 'infinite as something that never ends and have never begun'.
Lovers
Sculpture, 2008
Iron taps, water, and pomp
80x50x40cm
Bright in boxes
Installation, 2008
Wood boxes, window frame and sunlight
160x160x50cm