All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
All images © Felipe de Ávila Franco. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.
Supported by:
Supported by:
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Installation, 2010 Asphalt collected pieces Variable dimensions
Sculpture, 2010 Bricks, mirrors, iron tap, water, and electro-mechanics 60x50x40cm
Sculpture, 2010 Wood, aluminum, brass, galvanized and bricks 180x180x50cm
Sculpture, 2010 Chemically aged steel sheet 65x80cm
Installation, 2010 Bricks, crushed bricks, wood frame and glass 120x180cm
Provoked Archaeologies #2
Installation, 2019
Excavated soil in the Amazonia rainforest, branches, and sisal rope
Variable Measures
Deconstruction, 2017
In this piece, viewers encounter a three-wall video projection capturing the essence of a rainstorm, digitally manipulated to pixelate the image while retaining the fluid motion of raindrops cascading down a transparent pane. The rectangular forms seem to descend endlessly, evoking a sense of perpetual collapse, symbolic of the ongoing societal disruption wrought by information overload.
In the heart of the installation, beneath a spotlight, lies a pair of headphones, softly playing the sound of rain, drawing the viewer back into the realm of the digitally deconstructed. Deconstruction, inherently elusive, resists confinement within rigid definitions, echoing the critical perspective of philosopher Jacques Derrida on language and the formation of meaning.
Deconstruction
Video installation, 2017
Video length 1:28'57¨
Color/stereo